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Saurencaerthai King Kong

Joined: 24 Sep 2002 Posts: 2609
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Posted: Tue Jun 10, 2008 4:10 pm Post subject: Question on the snare piece "Three Camps" (Wilcoxo |
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Hey all,
I'm having a bit of trouble interpreting the piece "Three camps" by Charles Wilcoxon. Particularly, I'm rather confused about the subdivisions, in the first half, since they don't appear to be adding up to the proper amount. This is further compounded by the fact that in the first measure, it begins with a quarter note, whereas the following measure contains the exactly same figure, but instead begins with a sixteenth note.
Can anyone shed some light on this? _________________ "To recap, we've learned that Billy Cobham practices on water and Thomas Lang walks on it...I might have to bring this information to the local seminary to get their opinion..."
-Rusty |
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punkrocker7341 Lion

Joined: 23 May 2004 Posts: 926 Location: AZ
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Posted: Tue Jun 10, 2008 8:45 pm Post subject: |
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If you can scan it and e-mail me the trouble spots I might be able to help. _________________ The Silvertones |
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drummerb0y25 Big Lion

Joined: 12 Jan 2004 Posts: 957 Location: ^^ ..rofl
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Posted: Wed Jun 11, 2008 12:52 am Post subject: Re: Question on the snare piece "Three Camps" (Wil |
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[quote="Saurencaerthai"]Hey all,
I'm having a bit of trouble interpreting the piece "Three camps" by Charles Wilcoxon. Particularly, I'm rather confused about the subdivisions, in the first half, since they don't appear to be adding up to the proper amount. This is further compounded by the fact that in the first measure, it begins with a quarter note, whereas the following measure contains the exactly same figure, but instead begins with a sixteenth note.
Can anyone shed some light on this?[/quote]
I'm not familiar with that song or artist. It sounds like that's what exactly what they wanted- to trick the listener Hopefully someone here can help you, but the best bet is probably going to be the sheet music. _________________ "The more control you have of the instrument, the more confidence you will get and the more you will be able to express your ideas; Technique is only good if you can use it musically." -J.M. |
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gigeoffro Big Pit Bull

Joined: 23 Jul 2007 Posts: 392 Location: Cockeysville, Md
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Posted: Thu Jun 12, 2008 1:07 pm Post subject: |
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I have the book at home. I'll look it up tonight when I get off work and let you know. _________________ The Lord delights in the ways of man who's steps he has made firm.
Psalms 37:23 |
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gigeoffro Big Pit Bull

Joined: 23 Jul 2007 Posts: 392 Location: Cockeysville, Md
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Posted: Sat Jun 21, 2008 12:04 pm Post subject: |
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Which Wilcoxen book is this from? It's not in the book I have. sorry dude, but if you can scan it and post it, I'm sure that I can help you with it. _________________ The Lord delights in the ways of man who's steps he has made firm.
Psalms 37:23 |
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PTCR Growing Guppy

Joined: 06 Aug 2005 Posts: 41 Location: Right under the bongos...
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Posted: Tue Jun 24, 2008 6:42 pm Post subject: |
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Three Camps is mad good. My ex-drum-teacher (RIP Tony DeNicola) told me that in one war or another three different camps would maintain contact through this. One snare drummer would initiate it, playing the first section of the piece(most likely in the early morning). Another camp from far away would hear this and then begin signaling the second piece, and then so on with the third camp. This was used to show that the camps were safe, and for example, not under enemy fire.
it's nice to know that someone on this forum plays this stuff it would help to know which version you're talking about though. wilcoxon has written out many versions of it, from triplets to ratamacues to pataflaflas, you name it. I think the version you are probably thinking of is based off the 5-stroke and the 9-stroke roll? anyway, a lot of wilcoxon books have typos and i really cant make heads or tails of your problem. this reply is more of a reason to give a little background on this historical piece. |
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Saurencaerthai King Kong

Joined: 24 Sep 2002 Posts: 2609
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Posted: Fri Jun 27, 2008 4:13 pm Post subject: |
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| PTCR wrote: | Three Camps is mad good. My ex-drum-teacher (RIP Tony DeNicola) told me that in one war or another three different camps would maintain contact through this. One snare drummer would initiate it, playing the first section of the piece(most likely in the early morning). Another camp from far away would hear this and then begin signaling the second piece, and then so on with the third camp. This was used to show that the camps were safe, and for example, not under enemy fire.
it's nice to know that someone on this forum plays this stuff it would help to know which version you're talking about though. wilcoxon has written out many versions of it, from triplets to ratamacues to pataflaflas, you name it. I think the version you are probably thinking of is based off the 5-stroke and the 9-stroke roll? anyway, a lot of wilcoxon books have typos and i really cant make heads or tails of your problem. this reply is more of a reason to give a little background on this historical piece. |
Hey man, thanks for that nugget of info! That's really nifty. I'm referring to the Three Camps in Rolls. _________________ "To recap, we've learned that Billy Cobham practices on water and Thomas Lang walks on it...I might have to bring this information to the local seminary to get their opinion..."
-Rusty |
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Drummin_Dan King of the Jungle

Joined: 08 Dec 2003 Posts: 1454 Location: Winnipeg, Canada
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Posted: Thu Nov 06, 2008 10:58 pm Post subject: |
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| Three Camps is definitely weird. I was taught to interpret it in a triplet feel and the accents are the downbeats. I do recall the weirdness of the writing. |
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